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What Would Leon Fleisher Do?

The classical world lost one of it's finest this week.

I cried when I first read about it in The New York Times: 
 
In my earlier years as a student at Juilliard, I had the honor of playing for Leon Fleisher in a masterclass and later took some private lessons with this legend. They were transformative.
 
While I appreciated his mystical insights, I hardly paid attention to the emotional challenges he must have undertaken to play music with only one hand. Maturity has taught me compassion in ways I didn't know in my youth.  I really didn't appreciate his 30 years of challenges of not being able to play with his right hand in public, until I lost the use of my right hand after a bad fall caused seven complicated fractures. Three years felt like an eternity in my right hand recovery. I can't imagine what 30 felt like! 
 
His recordings of music with one hand, along with his inspiring memoir, My Nine Lives: A Memoir of Many Careers in Music, gave me hope during my early stages of right hand recovery. I'm indebted to him forever. 
 
During one of my sleepless nights, I came across a New York Times article written after he was able to play again with two hands, well after an eventual diagnosis of focal dystonia. When asked why he could play again with his right hand, after over 30 years of trying and being told it was impossible, he said, “Because I always believed that I would.”
 

When I attended Fleisher's 90th birthday recital in his home town of San Francisco two years ago, I had a close-up view of his hands at Herbst Theater. I could tell how much his ring finger and pinky (fingers 4 and 5 to pianists) involuntarily curled up while he played. Ironic that I had the exact opposite problem with the same two fingers. I couldn't get mine to curl. I watched as he stretched them open before he played the Chopin Nocturne in D flat so beautifully. I sat in my seat, stretching my same two fingers open. 

Hearing him perform with one and two hands was breathtaking. The Debussy, Chopin, and Mozart he chose were probably easier on his right hand. Gone were the days of him performing the robust, demanding Brahms D Minor Piano Concerto. But, did he really care? On the large screen during intermission, I read these words. 

"The purpose of music is to communicate from the heart to the heart. "
Leon Fleisher

That was my reminder to just make music with my heart, no matter what the program or what accommodations I needed to make for my right hand. No matter what I played, if my heart was all in, the music would reach out to the hearts of others. 

This week's Facebook Live, Saturday night at 6 Pacific on my Facebook Page, is in memory of Leon Fleisher, playing music for two hands I studied with him long ago, and music for left hand only inspired by him. 

His spirit will be kept alive as I ask myself, What would Leon Fleisher do? I'll remember one of his most profound statements, one that I've passed on to all my students…

“Play every note as late as you possibly can, without being too late.”

Leon Fleisher

R.I.P. Leon. Somewhere over the rainbow, I hope you're playing your beloved Brahms D Minor Concerto again, without any physical limitations and your right hand wide open. Play on! 

12 thoughts on “What Would Leon Fleisher Do?”

    1. Thanks Candace. I’d be very fortunate if he does. I will certainly do my best to remember his teachings.

  1. I did not know much about him. Recently, Yuja Wang posted an old video of him instructing her in a master class session. Listening to his teaching methods, I can see that he was a remarkable man and musician. Your article is a nice tribute to him. RIP Mr. Fleisher.

    1. I did not know much about him. Recently, Yuja Wang posted an old video of him instructing her in a master class session. Listening to his teaching methods, I can see that he was a remarkable man and musician. Your article is a nice tribute to him. RIP Mr. Fleisher.

  2. Thank you for sharing your heartfelt connection to his story! I am inspired to learn more about Mr. Fleisher.

  3. Thanks Shelly. Glad you enjoyed it. His memoir was really fascinating, especially reading it as a musician. He described his relationship to certain pieces of music so well that I felt like I was getting a private lesson with him.

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